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It seems that M. Night Shyamalan has the end of days on his mind. A couple of years ago, he pondered the quandary of aging in “Old,” based on the graphic novel “Sandcastle,” by Pierre Oscar Levy and Frederik Peeters. In his latest film, he turns toward the apocalypse, or at least the idea of it, in “Knock at the Cabin,” adapted from Paul Tremblay’s 2018 horror novel “The Cabin at the End of the World.”
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